Horizonte FM 94.3

The broadcaster presents a music format characterized by a focus on international music and a style reminiscent of its peak popularity in the 1980s. The station’s musical selections include artists such as George Michael, Celine Dion, and Michael Bolton, as evidenced by its discography spanning 1991 to 1996. Further musical examples include Ten Sharp, Berlin, and Roachford, demonstrating a diverse range of artists featured across various compilations. The station also highlights new single releases each week, presented in a format intended to reflect a forward-thinking musical approach. The station’s programming aims to recapture the essence of its earlier years, emphasizing a distinct musical identity. The broadcaster’s history includes a period where it pioneered 24-hour programming with the concept of “Trasnoche.” Initially established on August 14, 1986, the station began as FM Mundo, operating from Radio Nacional’s building. It subsequently transitioned to FM Paraíso, relocating its studios to Tte. Gral. Perón 646. The station officially launched as Radio Horizonte the station FM, rapidly achieving the status of the most listened-to radio station. Ownership changed hands in the early 1990s, passing to Amalia Lacroze de Fortabat. After nearly 15 years on its original frequency, the station ceased transmissions in February 2001. In 2015, the station was revived via webcast, marking a return to its audience with the intention of recreating its former musical prominence. The station's early history included broadcasting from the Atlantic coast, a notable achievement at the time. The station produced six albums between 1991 and 1996, showcasing a wide array of artists and musical styles. Compilations such as “HORIZONTE FM,” “HORIZONTE VOL. 3,” and “HORIZONTE CLÁSICOS VOL. 5” further illustrate the breadth of music featured. The station also featured artists like Münchener Freiheit, Martika, and Groove Colective across its various releases. The broadcaster’s unique features include a weekly presentation of new singles intended to align with a progressive musical style. The station’s return via webcast demonstrates a commitment to reconnecting with its audience. The station's early years saw it become the first to integrate stereo sound, a technological advancement for the time. The station’s history is intertwined with significant moments in the nation’s media landscape, including its rise to prominence during a period of democratic renewal. The station’s early operations were initially linked to Radio El Mundo, demonstrating its evolution over time.